I’m extremely embarrassed that I haven’t been blogging for such a long time! I have so much to tell. I haven’t even mentioned Insert Coin here yet – which is an insult to my communications profession. Can we just say that I’ve been very busy and I’ve been having a hell of a lot of fun!
We collaborated with several others in getting this done so the program tended to confuse people, and at certain times even ourselves. So it was a difficult concept to communicate which will be much better next year when we’ll be more independent.
I’ve been looking forward to this game being released for a long time. And I therefore have to give a little personal rant before talking about the game:
I’m a huge fan of Turbo Tape Games. They’ve done so much excellent work in bringing the computer games industry into the spotlight in Norway and doing an excellent job in preaching the value of the industry. These guys have opened so many doors and broken down so many barriers for the future of game development in Norway – I hope that we can do it justice. I remember meeting Fredrik Sundt Breien (Managing Director) at a First Tuesday event about games (OMG! 7 years ago!). He has the charisma and enthusiasm to charm any audience into believing that games are worth investing in – which he’s done! And continues to do so as he’s speaking at (Bergen’s new innovators and The Nordic Media Festival). In many ways I guess I’m kinda jealous, cause I’d like to do the exact same thing some day.
I met the technical director, Jan Haugland, at the Industrial Gaming conference, which was also one of my first presentations of Machinima hungover – thankfully come a long way since then! We had an indept conversation about game mechanics and the genious of Tetris, the details elude me, but I remember the happy feeling of meeting a good friend that day.
As for the rest of the gang – we still haven’t reached the threshold where hugs are a natural greeting.
So when Turbo Tape Games was established, it was only natural for me to invite myself and the cHixOrs (pre Spillpikene) to visit the headquarters at Pixel Park. My what a long way they’ve come! I remember spending a good hour in their cramped office and still having absolutely no clue what Naval War was about. All I saw was a lot of code I did not understand and a lot of indication that this game was going to be just a tad too complicated for my taste.
But as you may have understood from the long personal rant and reminiscing – I adore them and on launch day of Naval War: Arctic Circle – I wanted to stop by and wish them good luck. I incidently had a meeting next door and thought I’d stop by with the gift of coffee and wish them good luck. They were surprisingly calm and relaxed and I felt like such a fan girl being so enthused and excited for them.
And then … I was allowed to try the game and I was scared.
I have so incredibly much to share from the week of playing The World Peace Game that I’m thinking it may just have to come in installments. I think I will try to break it down to three parts.
Part 1: My overall impression of what The World Peace Game is
Part 2: The beautiful people that I got to play with and how their unique minds and hearts contributed to a mind blowing experience.
Part 3: My thoughts on how the game can exist without it’s founding father.
Super excited! Got to meet John Hunter yesterday and I was instantly smitten and very starstruck.
Setting up the board in Bergen
My partners in crime are generously letting me play which I’m super excited about it. I’ll be working during the day and playing afternoon/night – so any spare time I can get will be focused on rest. I won’t be blogging through the game as I suspect that my focus will be occupied. I’ll write a good debrief here after, though.
I will, however, be posting updates and pictures here:
Let me first start off by saying that I love my job and I think I’ll be able to share my experiences there in the upcoming
This is me cupping at my job at a coffee roaster here in Bergen.
year. I haven’t decided if I’ll start a new blog or continue writing here, though. I like this space for all my “other” activities. But there are few of them and I suspect there’ll be fewer still. One of my main goals for the rest of the year is to do a little analysis of how I see my education being put to good use. I keep noticing skills I learned from Media Studies and I’m thankful for having them. I really do feel like I have the right skills to do this job well – and that’s reassuring. I want to spread the confidence to other media students, you know? Because there is little understanding of what Media Studies skills can be used in jobs and the corporate world – but I see myself using these skills all the time.
We’re both super honored to be asked – as we both consider librarians to be the coolest professionals around. We worked on our outline last weekend and I’m very excited. I think we’ve come up with a presentation recipe that’s going to be a big success. I’m worried that we’re cramming too much in, but I have faith that our structure will allow for it. So we’ll be talking a little about the history of computer games from hacker culture to consumer culture. We both felt it was important for us to focus a bit on computer game genre and all that it entails. And the icing will be a bit of fan culture. I’ll translate and share here later.
But for now I’m in need of some help. I want to at least briefly touch on the subject of MUDs to MMORPGs – text based worlds to graphical worlds. And I want some good text avatars. I thought I had several but after tearing my bookshelf apart (yes – I have no order) I can only find one, which is that of Mr. Bungle in LambdaMOO: ” a fat, oleaginous, Bisquick-faced clown dressed in cum – stained harlequin garb and girdled with a mistletoe-and-hemlock belt whose buckle bore the quaint inscription “KISS ME UNDER THIS, BITCH”. And I’m thinking …. nawww … there must be something a little nicer. I want colorful definitely, but not this grim and dirty. So I’m asking – do you know of any text avatars I can use? Do you have a favorite? I would also love some good room descriptions and any fond memories you have!
And while we’re on the subject. Do you know of any MUDs/MOOs still alive? I ask because I have a sneaky feeling that text based games are on their way back. Just looking at Causal Gameplay Design Competition.
I was honored to be asked to give a little presentation on Machinima at Scott Rettberg’s “The Network as a Space and Medium for Collaborative Interdisciplinary Art Practice”. I had a great time and met some truly fantastic and inspirational people! I was squeezed in to the topic of Anthropophagy, which I’m still trying to figure out – but will write more about in another blogpost. My initial thought is Machinima is anthropophagic (not sure I can say that – but what the hell – I’ll give it a go) of game narrative – which opens up a whole box of interest worms. But … it’s not a cannibalistic media in itself. But…yeah… we’ll leave room for that somewhere else.
My presentation is available on Google Docs but I’ll cut and paste it here – as the notes are more important than the actual slides (although you can find them by opening the speaker notes).
GAMEPLAYING FOR THE ARTS
When gaming avatars perform for the camera, not for the game
I cannot touch on the topic of Machinima without mentioning the music videos. It’s a storytelling format which the MTV-generation understands so well and they’re able to use their literacy of music videos to create their own. It’s a wonderful way to be a fan of both the games and the music. I have a soft spot for the music Machinima that doesn’t have a glossy feel – but rather amateur love.
I showed two very old music Machinima films. The first one is from a very well known machinima artist, who I’m sure wishes that I showed some of his newer stuff. B. Kiddo has been creating machinima for years and his artful skills in The Sims and Second Life are just awesome. But this Machinima film is one of the first I ever saw. I was so touhed by it. Although it isn’t smoothly made – it’s very emotional. I showed this to a girl friend of mine who thinks I’m totally weird for being interested in this stuff and would rather I focus my attention on finding a man and go shopping – and she welled up. Which of course gave me immense satisfaction!
The other music Machinima I played is actually Chinese and made Everquest. I stumbled upon it by chance. It is very simple – but the song is just so catchy I can’t help but love it! I’m told the song was a number one hit in China about 10 years ago (thanks KML) and I can understand why. I find myself humming the song several times a day and I enjoy simplisity of the Machinima film.
So the whole point with organising these Machinima evenings is to create a space for people to relax, share a beer and be introduced to what’s going on in the world of Machinima. There’s people who know what we’re on about and there’s people who are just fascinated by the medium and of course, those who are interested in New Media. I try to give an overview of what machinima is, but the more I learn about it – the more I realise that I’m just barely scratching the surface. So this year I decided to toss out objectivity and completely focus on what I wanted to focus on. I completely choked up, though. Suddenly I realised I had a microphone in my hand and people were listening to what I had to say – I haven’t talked publicly in a long long time! Definitely needed the practice. Luckily I’ve been giving a few lectures and presentations with work lately – so I’m starting to get it down again. So anyways – I’m going to squeeze in what I meant to say inbetween talking about the program of the evening. If you don’t recognise some of it – this is why.
So nuff said!
Machinima stands for machine + cinema + animation. If you think it doesn’t add up with the spelling, blame Hugh Hancock who created http://www.machinima.com. There’s also a story about a pub, a few beers and a cocktail napkin. But in essence it’s machinima stands for machine + cinema + animation. It was the intention to focus the evening on the “machine”-part. What fascinates me with machinima is how the artists are communicating with a machine or an artificial intelligence to create their own narrative or story. The machine I’m talking about is the computer game where the film is made. If a machinima film is made in World of Warcraft, the artist will have to communicate with the game and understand the game mechanics in order to tell their story.
I’ve promised to do a write-up of MachinimaNight III to all who attended – share the links to the films and artists. I’m going to do this back to front and start off at the last part. Mostly this is for Scott and Jill who had to leave early. I appreciate your interest and support! Thanks!
So in the course of the night I had introduced the audience to different genres and types of machinima, mostly concentrating on form and not about the creative communities within machinima making communities.
This is the ingredient of machinima that fascinates me the most and there’s one group that I’ve been paying attention to and just downright adore. So first – let me introduce you to Olibith.