James Portnow from Extra Credits (and also much loved speaker at Konsoll 2012) has started a crowdfunding project called “Games for Good“. He wants to create a conversation about games that isn’t reactionary or in direct defence of games, but rather talk about the good that games do in a louder and more accessible voice. He’s observed that politicians in DC aren’t finding experts to educate and advise on game legislation and feels that we should become better at representing the industry. In this campaign he also wants us to start talking louder about games that do good and why. We’re doing something similar here in Norway with the Game Developers Guild – but I’ll write about that after Mr. Portnow explains his vision:
Honestly, I’m rather shocked that the computer game industry isn’t already heavily represented in American politics through lobbyists.
Not “the” official picture but I love that they’re all cracking up! From the back left: Peter Wingaard Medahl, Ricki Sickenger, Espen Thomassen Sæverud. Infront from left Bjarte Sebastian Hansen and Stefan Svellingen.
I think the jury is still out on the direct translation of the wonderful name – either it’s Game Developer’s Guild or Game Maker’s Guild. Either one is pretty wonderful in my book. Basically they are a bunch of hard working game developers in Bergen, having a few beers and having a vision about making game development more accessible and open in Norway. The result has been a wonderful space where game developers can learn from each other, exchange ideas, exchange resources and of course – dreams. Their morals and goals are pure and sincere – and needless to say – I adore them!
The event – Console
I was introduced to the guild in february and when I learned that Indie Game: The Movie was being considered for The International Film Festival in Bergen (BIFF) I felt that I had to make my move. We HAD to make a gaming event worthy of the documentary and game developers in Norway. I got in touch with someone that I knew was on the board at the guild and he agreed to let me speak at their next board meeting. I remember being rather nervous. I have a lot of respect and admiration for game designers and I desperately wanted them to like me. I got to make my case to the board of the six wise game developing men and I let my passion and enthusiasm have free flow – which is always a scary thing – but I just couldn’t help myself. I honestly had trouble catching my breathe at times. Thankfuly – they were in agreement! We should create an event in unison with BIFF and do something fun! I was also happy to hear that they were interested in making the games industry more available to the public. So we decided to make the event two-fold. One part for game developers and the other part for the public that may not know games as well as we do.
When I was writing my masters I became a fan of T.L. Taylor and her incredible knowledge of play and play culture. She seemed to have an excellent grasp of what was happening with online gaming and the players. I’ve been out of the game for so long that I wasn’t aware that she was researching e-sports and she’s recently written a book called, “Raising the Stakes. E-Sports and the Professionalization of Compute Gaming”. I’ll be buying it and I look forward to reading it. I’m curious about e-sports and T.L. Taylor is such an enjoyable writer that I’m certain I’ll love it. I don’t know why e-sports baffles me because I generally do enjoy watching others play. I’m starting to think it has something to do with the commentators.
Anways … she shares a lovely and powerful video of spectators and players at EVO 2o11 on her blog (which I also just found – I am so way behind!). I think you’ll enjoy it as much as I did!
I just watched this wonderful keynote by Leigh Alexander on the challenges of being a female journalist and being labelled a feminist journalist because she writes about things such as computer games. She really gives a lot of her own personal experiences and I’m very thankful for that. I recognise a lot of what she brings up. It’s awkward, uncomfortable and a bit daunting being asked to have an opinion or a voice for an entire gender, speaking on behalf of all woman everywhere. I don’t even feel comfortable talking on behalf of female gamers. But Alexander is great at pointing out that we already have some wonderful female role models in the game industry out there and that we shouldn’t let ourselves be silenced for our gender or that the pressure of talking on behalf of a gender is too awesome. Her conclusion was absolutely great: “I believe that games can speak to more people than they already do and in order for that to happen they need all of our voices – they need you!”. Thanks Mathias Poulsen for recommending it!
I’m determined to get my thoughts from The Story documented somehow, although a week has passed, I shall continue on.
7) I was late coming back after lunch and missed the introduction of Paul Bennun & Nick Ryan. This is a session I would have loved to be more prepared for. I didn’t know who they were and wish I’d looked them up and played their games before attending, because their story was astounding!
Their story was sound. Together they have created a game based entirely on sound called Papa Sangre (downloading now).
I remember being absolutely gobsmacked when I first read about Edward Castronova and his economic analysis of the online game Everquest. And it all spiraled from there … do you remember? We all got caught up in the rights of the avatar. I remember being enthralled in discussions about what is real and what is not real and what rights avatars have in games such as Everquest. Because we saw avatars as extensions of ourselves, therefore we should have the same human rights as we have in our own ‘real life’. Ownership issues and freedom of expression where things that I thoroughly enjoyed exploring and debating.
I’ve often thought about machinima as fan art – but I’ve never felt completely comfortable with it. I’ve always felt like machinima in itself – was an artform in it’s own right. But then there are such lucious films like this. Which clearly is fan based, but a voyeuristic delight none the less!
Speaking of fan art – I’ve started a little theory about why we’re not talking enough about this in Norway. We have no word for “fan” – seriously – if you can think of something do tell me – but I don’t think we have a word for ‘fan’. We have supporter – which is generally considered to be football fans. But it’s not even that – a football fan is a supporter, although I’m not sure that a WoW machinimator is a supporter of Blizzard. It’s baffled me for a while now and there’s definitely a cultural significance in being wordless on the subject. It’s interesting – and just a thought to share.